Borders Fiddle Style

Double stopping, sympathetic strings, triplet runs…

Is there a distinctive Borders fiddle style? Musicologist Fred Freeman has identified two styles, influenced by leading Borders players and their role in the dance tradition.

The 'heavy' (see Jonny Hardy/Dick Gossop soundbite) style uses chords that provide a drone and allow the fiddle to accompany itself and create a big sound that will fill a dance setting.

The 'light' (see Bob Hobkirk Lochaber No More soundbite) style is more delicate, and suited to a more intimate setting or the playing of airs. Characteristics include triplet runs and the sounding of sympathetic strings.

Fiddle soundbites (1 to 10 of 18)

soundbite Bob Hobkirk - Bird in the Bush soundbite 01:53secs
soundbite Bob Hobkirk - Lochaber No More Soundbite 01:34secs
soundbite Bob Hobkirk Discussion Soundbite 01:27secs
soundbite Border Gaitherin' Written by Lori Watson.
soundbite Down in the Ditch Written by Borders fiddler, Shona Mooney, in 2008.
soundbite Jimmy Nagle - Banks Kale Soundbite 00:43secs
soundbite Jonny Hardy/Dick Gossop Soundbite Soundbite 1.03mins. This soundbite illustrates the 'heavy' fiddle style using chords that provide a drone and allow the fiddle to accompany itself and create a big sound that will fill a dance setting.
soundbite Judi Nicholson Time - Soundbite Soundbite 00:39secs
soundbite Leaving Mull for the Mainland Written by fiddler, Rachel Cross from Kelso.
soundbite Miss Niamh Dolan Written by Amy Swain.
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